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Wearable code and physical pixels

Submergence art installation

My week has been sullied a little with a cold so I’ve not been up to much, other than watching the final episodes of Breaking Bad... Actually discovering how that epic series ends is probably quite enough for one week, but here are my other cultural treats, both playing with the virtual and the ‘real’, the digital and the tangible.

How to learn code in style

I came across this article about wearable code earlier in the week discussing how people are learning to code through fashion. Check out this video about fashion and technology (the whole video is interesting but the DIY wearables segment is at 3.30s).

The ribbon hair bow comprised simply of two LEDs and a battery is super-cute, and as Becky Stern, director of wearable technology at Adafruit Industries, says a fantastic way to encourage girls in particular to take an interest in electronics and coding. The DIY, open source ethic is alluring meaning that these wearable computing fashionistas can create their own look and share and learn from the wider community. It’s the point where craft meets code, and puts what some might see as dry computing language in a new context on our bodies, either with a use value or simply to allow its wearer to glow.

Submergence

Just as the code becomes wearable, pixels on a screen became tangible, replaced by thousands of floating lights at an installation I visited this week. Submergence is by the award-winning Squidsoup, residents at Bristol arts cinema, the Watershed‘s Pervasive Media Studio. In the exhibition space, there are over 8,000 hanging lights which change in response to the participants’ movements.

You become immersed in the changing lights, reminiscent of nature’s bioluminescence, which build to a rush of light. Yayoi Kusama’s Gleaming Lights of the Souls and her theories of self-obliteration came to mind immediately, although there is a perhaps a greater sense of losing yourself to infinity in her work through her use of mirrors.

Always a good sign, Submergence seemed to be enjoyed by all, becoming for babies and kids of all ages, a light-filled playground.

Bristol is home to Submergence’s UK première before it heads to St Petersburg. If you’re in Bristol, you can still catch Submergence on 12 October from 14.00 to 21.00.

What were the cultural highlights of your week? Go on, share with us…

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